Judges

Photos are input, not work

The number of photos barely changes a judge's labour, so pricing per photo would measure the wrong thing; length and register are what cost.

By 3 min readJudges

Guides on Judges: Boundaries belong to the judge, The case against the price list, What the skill in judging actually is

Judges do not price by the photo because they are paid for the clip they produce, and the clip's length is set by the brief, not by the folder attached to it. New buyers often assume more photos should cost more, the way extra pages cost more from a printer - a reasonable guess, and wrong here.

What the judge is actually doing

A commissioned review is built around looking, deciding what to respond to, and then performing a register for however long the brief calls for. That performance time is the bulk of the labour - reading, planning, recording, and often re-recording a take that did not land right. Whether the material behind that performance was one photo or six does not change how long the resulting clip needs to be, and it does not change how hard the register is to sustain.

If anything, more photos can slow a judge down rather than speed them up. A judge working from a single clear image has one thing to look at and respond to. A judge handed a dozen has to decide which ones matter, and if the brief does not say, that decision is now unpaid work happening before the paid work starts. A photo count that runs past what the brief actually needs is closer to a cost than a bonus.

What would go wrong with per-photo pricing

Charging by the photo would reward buyers for sending fewer images regardless of whether those images actually cover what they want addressed, and it would penalise buyers who reasonably send two or three angles of the same thing to be clear. It would also detach the price from the part that costs money: a one-photo request for a five-minute scenario is a bigger job than a six-photo request for a fifteen-second read, and a per-photo rate gets that backwards.

Length and register are the two levers that move a quote, because they are the two things that actually determine how long a judge spends making the clip. The photo count is context for the judge, not a line item.

It is a different rule from an automated tool, where a single clear photo is genuinely all the scoring needs and extra angles add nothing either way - a judge's brief-reading labour has no equivalent there. It is different again from taking your own numbers, where more angles of a tape measurement can actually improve the result rather than complicate it, because the goal there is precision rather than a single considered response.

What this means for a brief

Send however many clear images actually show what you want covered, and stop there. It is the same principle the ICO's data minimisation guidance sets for anyone handling personal data: hold what is "adequate", "relevant" and "limited to what is necessary" for the purpose, and no more. A well-chosen small set beats a large one, and the judge will not think less of a request for being concise about material - concision here reads as consideration, not stinginess. The same principle holds if you are comparing prices across judges on Rate Cock: a longer photo set is not a way to signal a bigger job or justify a higher price, and a judge pricing it that way would be pricing the wrong variable, the way a fixed-rate scoring tool never has to think about photo count at all because its price never moved on it in the first place.

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