Reviews
Names in a clip
Using a name is a strong presence signal and a strong privacy signal, so judges use it when asked and avoid it when not, and it is worth stating which you want.
Guides on Reviews: SPH as a genre with conventions, Five things a review is mistaken for, The words people use, defined, What happens in a two-minute clip
A judge uses your name only when you ask, because a name does two things at once: it makes a clip feel addressed to you, and it puts identifying information into a file that now exists. With no instruction either way, leaving it out is the safer default.
What a name does for the clip
Presence is most of what a commissioned review is selling, and a name is one of the cheapest ways to increase it. Hearing your name said in the register you asked for lands differently than the same words with no name attached, because it removes any doubt that the clip is generic. This sits close to why an echoed detail from your brief carries so much weight - a name is the simplest version of the same move, proof the clip was built for you specifically rather than for whoever sent that brief.
What a name costs
The trade is privacy, and it is a real one, not a formality. A clip with your name in it is a step more identifying than a clip without, even if nothing else about it changes, and that matters more to some buyers than others depending on how the clip might be stored, reshared or simply exist longer than expected. A judge who defaults to not using a name is not being cold about it - they are making the safer assumption in the absence of instructions, the same way they do not ask you personal questions unprompted.
Which name, too, is worth thinking about before you ask. A first name only, an initial, a handle unrelated to anything else you use: any of these can be requested, and a judge will use whichever you specify rather than assuming.
Why this is your call, not the judge's
A judge cannot guess correctly here, because there is no default that is right for everyone. Some buyers want the presence a name adds and have thought about the privacy trade already. Others would rather the clip stayed as anonymous as the brief itself, in which case a handle or no name at all is the better instruction. Stating it plainly in the brief - "use my first name" or "no name, please" - removes the guessing entirely, and it costs one line.
Names and other identifying details
A name is the clearest example of an identifying detail, but it is not the only one that behaves this way. The UK's data regulator makes the same point: ICO guidance on identifiers calls a name "perhaps the most common means of identifying someone", and says a name combined with details such as a place of work "is often sufficient to clearly identify one individual". Anything specific enough to place you - a workplace, a city, a nickname only a few people use - carries the same trade-off, and the same rule applies: a judge can only see what you choose to include, and volunteering more than a name in the brief invites the same presence-versus-privacy question on a larger scale. Buyers who want maximum presence sometimes offer up detail well beyond a name without thinking through what a clip built from it would actually contain later. It is worth applying the same one-line test to any such detail that you would to a name: does including this make the clip meaningfully better, or does it just make the clip more identifying for no real gain.
How this differs from an automated score
An automated tool has nothing equivalent to weigh here: it does not know who submitted an image and produces the same kind of output regardless, which is part of the impersonality that is the whole appeal for some buyers. There is no name to include or withhold because there was never a person on the other end deciding. A score from a tool like that reflects an image, not an address to a person, which is a different and equally valid thing to want depending on what you are actually after.
None of this touches measurement either. If what is being addressed is a stated figure rather than a name, that number comes from taking it properly yourself, and it carries no identity question at all.
If you are still weighing a personal, named clip against something more anonymous and automated, Rate Cock's comparison of the two paths covers that decision directly rather than this site guessing at it for you.
Saying which you want
One line in the brief settles it: state a name if you want presence, state "no name" if you want distance, and expect either to be honoured without further discussion. It is a small instruction with an outsized effect on how the clip actually feels to receive. Asking to be named, or specifically not, in your clip is worth treating as its own line rather than folding it into a general request.